haaiiii, I just got this werid idea an stuff it s for a thing called e'ear muffin' you can werar em on yor head like ear muffs or you you can eat um like muffins......tell me what you guyise think/////,.,,,,
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goood idea... make million

Signatures are for fags

favntatsico

Signatures are for fags

..//
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OH MY GOD I can't believe I actually thought of this.


I was half asleep and on drugs when the idea came to me. I have to say I think this is brilliant.

Ear Muffins.
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ear muffins
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bumpin it till it garners some interstse
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Mr. Misery Wrote:
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> haaiiii, I just got this werid idea an stuff it s
> for a thing called e'ear muffin' you can werar em
> on yor head like ear muffs or you you can eat um
> like muffins......tell me what you guyise
> think/////,.,,,,


And this is what the young generation calls comedy?? Oy!! Va!!!

Eh, what did you expect from a shaigitz?

I have the same problem with this idea that I have with edible underwear... It gets things sticky that shouldn't be and it gets things dirty that you're supposed to eat.

The only difference is, with edible underwear, it's hot... and hot things + disgusting = MAD BONNERS...

The ear muffins would be a great idea for a prop in a cartoon show...

I don't understand why you haven't attempted to make a cartoon yet. You have a very funny take on the world... You have these ideas on what should or shouldn't be... Make a world like that... one that's your world... It could be a cartoon...

Signatures are for fags

Miz, you should do a graphic novel about your accident and recovery... the whole torturous ordeal. The crash, the emergency room, the doctors, the slow painful recovery, the joy of painkillers, the lawyers & the lawsuit. The despair, the hope.

In short, the whole shebang.

1) It's an epic story, in the modern sense of an epic. Not like the Odyssey, where the protagonist travels all over the world, but like the story of Harvey Pekar getting cancer.

2) It's something you know, there's a lot of emotion there, and if you get down into the emotional and even the physical details, I'm sure there's a lot of interesting stuff there that would hold the reader's attention. You have a knack for picking out interesting unnoticed details in daily life. That aptitude will serve you well in telling this story.

3) Don't just let it - bleeehhh - all come out. Think in terms of structuring the narrative to hold the reader's interest, and build suspense. Make the most of the twists and unexpected events that I'm sure occurred during the process.

4) Study Harvey Pekar for the storytelling aspect. He's very good at narrative, and developing interesting characters. (Having interesting characters is a must.) He's very good at obsession, and obsessive attention to detail.

He's also good at stepping back and taking the larger view -- the life/philosophical angle.

Anyway, that would be my advice to you. No bullshit. I think you're capable of this, although it would probably be a significant step beyond anything you've already written or drawn. But I think you're ready to take that next step, and this is the perfect material to use to take that next step.

Whaddya think, Harry?

Am I nuts, or does this sound like a perfect project for Miz?

When you put it that way... I think it would be perfect... It would be something he could pour his soul into... and I think he needs to learn how to do that in order to rise to the next level. I'd definitely read it...

I, however, was picturing something less "real"... Something more light-hearted and fantastic.... Like a crazy crime spree terrorizing the city... a serial mind-rapist... a super hero with invincible legs whose only weakness is, you guessed it, heavy doors.... Or maybe the heavy door thing could be another villain... A serial bomber that targets heavy doors... There is a battle of good and evil inside of Misery (as there is with most people, I'd assume). I think someone with his artistic abilities (both literary and graphic) could really weave a compelling and relevant tale that most everyone could relate to.

Plus, he's got a huge boner for superheros... I think it could be a good medium for him to effectively express himself AND get the attention he deserves...

Signatures are for fags

Harry Tuttle Wrote:
-------------------------------------------------------
> When you put it that way... I think it would be
> perfect... It would be something he could pour his
> soul into... and I think he needs to learn how to
> do that in order to rise to the next level. I'd
> definitely read it...
>
> I, however, was picturing something less "real"...
> Something more light-hearted and fantastic....
> Like a crazy crime spree terrorizing the city... a
> serial mind-rapist... a super hero with invincible
> legs whose only weakness is, you guessed it, heavy
> doors.... Or maybe the heavy door thing could be
> another villain... A serial bomber that targets
> heavy doors... There is a battle of good and evil
> inside of Misery (as there is with most people,
> I'd assume). I think someone with his artistic
> abilities (both literary and graphic) could really
> weave a compelling and relevant tale that most
> everyone could relate to.
>
> Plus, he's got a huge boner for superheros... I
> think it could be a good medium for him to
> effectively express himself AND get the attention
> he deserves...
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the rapist could be a therapist...

Signatures are for fags

Hmmm. I don't know.

If the muse takes him in that direction.

I could see a reality/fantasy thing going on... a fantasy life that is brought up short when reality intrudes.

Maybe. Whatever works - whatever Miz can make work.

I do think the narrative of the accident and recovery, told properly and straight (Harvey Pekar-style, if you will), could be very compelling indeed.

You introduce a lot of this other stuff, it all still has to work together organically... it becomes that much more difficult and complex a balancing act... unless the inspiration is there to make it work.

He has to follow his muse, and see what his talent allows him to bring to life.

i draawa the ear muffins first
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Harry Tuttle Wrote:
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> It would be something he could pour his soul into...

This is the key.

This is where the promise lies -- becuase the material is so potentially rich and mind-boggling.

The challenge lies in finding his voice as an artist.

I agree with you... I think he should tackle your idea first... (if that's where the passion is)... That seems like it would be more straight-forward. Once he learns how to rise up... maybe he could tackle the fun fantasy world...

DS Wrote:
-------------------------------------------------------
> Hmmm. I don't know.
>
> If the muse takes him in that direction.
>
> I could see a reality/fantasy thing going on... a
> fantasy life that is brought up short when reality
> intrudes.
>
> Maybe. Whatever works - whatever Miz can make
> work.
>
> I do think the narrative of the accident and
> recovery, told properly and straight (Harvey
> Pekar-style, if you will), could be very
> compelling indeed.
>
> You introduce a lot of this other stuff, it all
> still has to work together organically... it
> becomes that much more difficult and complex a
> balancing act... unless the inspiration is there
> to make it work.
>
> He has to follow his muse, and see what his talent
> allows him to bring to life.

Signatures are for fags

Harry Tuttle Wrote:
-------------------------------------------------------
> the rapist could be a therapist...


The hot therapist who suddenly up and abandoned me. That could be a story in itself...

Chekhov could have made something of that... the complexity of that emotion.

I wrote a story about a preacher accused of child molestation who steps down in shame even though he's innocent, and begins a career as a masochistic clown who engages in public displays of self-flaggelation and mutilation for the entertainment of large audiences.....my idea came from the movie He Who Gets Slapped, starring the greatest actor ever, Lon Chaney. I love Lon Chaney. True genius.

I would like to see a sequel to Honey, I Shrunk the Kids... one where it shows all the kids' hair and teeth falling out due to radiation poisoning... The parents of the neighbor kids stop at nothing to exact revenge on the Zalinsky family...

Signatures are for fags

Harry Tuttle Wrote:
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> I would like to see a sequel to Honey, I Shrunk
> the Kids...



Honey, I Blew up the Kids? Remember that sequel?

I remember that one... That's not the one I want to see...

I want to see "Honey, I Gave the Kids Radiation Poisoning by Experimenting at Home Without Taking the Proper Safety Precautions"

eesh Wrote:
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> Honey, I Blew up the Kids? Remember that sequel?

Signatures are for fags

.



Edited 1 time(s). Last edit at 03/04/2012 05:39PM by Alias.

Mr. Misery Wrote:
-------------------------------------------------------
> I wrote a story about a preacher accused of child
> molestation who steps down in shame even though
> he's innocent, and begins a career as a
> masochistic clown who engages in public displays
> of self-flaggelation and mutilation for the
> entertainment of large audiences.....my idea came
> from the movie He Who Gets Slapped, starring the
> greatest actor ever, Lon Chaney. I love Lon
> Chaney. True genius.


Have you read much Pekar, Miz?

I agree that Chaney was great. Tragic he died when he did, after the one sound film, to which he made the transition effortlessly, like Laurel and Hardy, or WC Fields (I mean, there was no incongruity between his voice and his appearance; quite the opposite). If he had lived, I am sure he could have worked steadily for another 20 years, even if stardom per se faded, perhaps growing into character roles like a Lionel Barrymore.

I forgot all about this S

Would you please seriously consider this suggestion.

This whole series of events you experienced could really make a great graphic novel. There's so much emotion there, and complexity. It could be horrific and funny and many other things.

This is what the best graphic novels have done, like Maus. Now your story is not on a scale with Maus, obviously, and yet I think it has the potential to move the reader (which is what makes for great storytelling) because of the inherent power of the events being described. You'd be tapping into really deep primal emotions, including the reader's fear of getting involved in an accident similar to your own (which we are all at risk of every time we take our car out for a spin).

You could bring in a lot of stuff -- all sorts of He Who Gets Slapped overtones would lend themselves naturally to the story -- hell, you could even introduce that as a running counter-narrative (I think it's in the public domain). All sorts of things you could do. But I DON'T think you should get TOO crazy/fantastic with it, because the heart of the story's appeal, and I'm sure what would be the strongest part of it, would simply be your recapturing the range of emotions and feelings you experienced as you went through the whole process of being injured, hospitalized, etc.

And who better to tell that story than... you?

No one. You are the man.



Dead Serious Wrote:
-------------------------------------------------------
> Miz, you should do a graphic novel about your
> accident and recovery... the whole torturous
> ordeal. The crash, the emergency room, the
> doctors, the slow painful recovery, the joy of
> painkillers, the lawyers & the lawsuit. The
> despair, the hope.
>
> In short, the whole shebang.
>
> 1) It's an epic story, in the modern sense of an
> epic. Not like the Odyssey, where the protagonist
> travels all over the world, but like the story of
> Harvey Pekar getting cancer.
>
> 2) It's something you know, there's a lot of
> emotion there, and if you get down into the
> emotional and even the physical details, I'm sure
> there's a lot of interesting stuff there that
> would hold the reader's attention. You have a
> knack for picking out interesting unnoticed
> details in daily life. That aptitude will serve
> you well in telling this story.
>
> 3) Don't just let it - bleeehhh - all come out.
> Think in terms of structuring the narrative to
> hold the reader's interest, and build suspense.
> Make the most of the twists and unexpected events
> that I'm sure occurred during the process.
>
> 4) Study Harvey Pekar for the storytelling aspect.
> He's very good at narrative, and developing
> interesting characters. (Having interesting
> characters is a must.) He's very good at
> obsession, and obsessive attention to detail.
>
> He's also good at stepping back and taking the
> larger view -- the life/philosophical angle.
>
> Anyway, that would be my advice to you. No
> bullshit. I think you're capable of this,
> although it would probably be a significant step
> beyond anything you've already written or drawn.
> But I think you're ready to take that next step,
> and this is the perfect material to use to take
> that next step.
>
> Whaddya think, Harry?
>
> Am I nuts, or does this sound like a perfect
> project for Miz?

This is hot how about I orgasm in your mouth?????????????????

Mr. Orgasm bump

ear muffino

brother of eesh

---------------------------------------------------------------------
I apologize to those I unfairly hurt. To Harry Tuttle in particular.

Did someone say eesh muffins?

we had fun didn't we


and still a good idea earo muffions

ear muffins........


I like to talk about a graphic semi-autiobiographical work of near-fiction.....based on parts true and parts conjured.....a treatise on loneliness and hopelessness as a young human male in the modern world....


I like to talk to both of you about this, honestly.......you are both of great help to me. Quite sincere.

thank you.