Mr. Misery Wrote:
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> Harry Tuttle Wrote:
> --------------------------------------------------
> -----
> > I'm with Numbers and Olde Fart on this one,
> > Miz...
> >
> > If you're not satisfied with your TV's
> picture...
> > don't go with the knee-jerk, "technology is
> > messing up my few favorite things", reaction...
> >
> > Try adjusting your TV settings... When I first
> got
> > my TV, the picture looked stupid (for lack of a
> > better word)... I messed with the picture
> settings
> > and now it looks great... It's better than any
> > picture on any TV I've ever had before...
> >
> > Have you tried adjusting the settings yet!?
> > Well...!? Have you!?
>
>
> Reservoir Dogs looks like General Hospital now.
> That's all I know. It's not better, it's worse.
> Much, much worse. It looks unnatural. Movies that
> were shot on film now look like they were shot on
> a high-end digital camcorder. I don't think
> Tarantino was working within the limitations of
> technology at the time, necessarily. A sharper,
> cleaner picture is great. It's the actual motion
> of the video that's different, and not in a good
> way. It's the way the action moves on the screen
> that makes it look unnatural, and I don't think
> that's necessarily how every filmmaker always
> would have wanted it if it weren't for
> technological limitations. We've had those soap
> operas for decades. They always looked
> "different", at least as far as I can remember.
> Why is that? What is the actual technical
> difference that made daytime soap operas look all
> weird like that and so different from primetime TV
> shows? It can't be the discovery of newer, better
> technology that accounts for the difference I'm
> seeing in HD versus standard; soap operas have had
> that same weird, unnatural, home-movie look to
> them for many years. What accounts for the
> difference in the way the picture moves? Just the
> way the picture and the action on screen moves.
> Does anyone know? I always thought it was that
> (using daytime soaps as a comparison again) they
> were shot on videotape instead of film stock.
> Video is cheaper, right? Film is expensive. Now we
> have digital, right? So, and I'm just spit-ballin'
> here, I assume the difference comes down to the
> HDTV converting the picture on a movie that was
> shot on film to mimic a digital look. See,
> Reservoir Dogs wasn't shot in HD. HD didn't exist
> back then. So when you see Reservoir Dogs on an
> HDTV, I assume the TV is trying it's best to make
> the picture as "HD" as possible......but the movie
> itself, whether the director would've preferred HD
> or not back when it was made, is going to look
> strange because you have a new digital media
> trying to enhance something (film) that has its
> own unique visual qualities. Whatever Scorsese or
> Tarantino or Lean would've preferred back in the
> day if the technology had been available, now it
> looks very odd indeed, because the film these
> movies were printed on never could've anticipated
> the digital enhancement we see with HDTV's.
>
>
> someone brought up color films, that this is like
> saying black and white is better because some
> people fear the new technology. I see it more as
> the colorization of black and white films....which
> I think we can all agree is and always was a
> terrible idea. Or even the pan and scan method of
> altering a film's aspect ratio to fit the
> square-shaped TV's we used to watch. I think it's
> more an issue of the technology attempting to
> accommodate older media, which has always brought
> problems along with it. If you watch an old
> episode of Seinfeld, for example, on one of the
> newer, now standard rectangle-shaped flatscreen
> TV's, a lot of the time (unless you monkey around
> with the settings, and who actually does that?)
> you're seeing only a part of the picture. The
> sides and the top of the picture are cut off to
> fit the shape of the screen. And not all movies
> have the same aspect ratio, whether they're the
> old square-shape that was standard before the mid
> 1950's or the wider screen shape of films after
> that point. A lot of the time, your TV is just not
> smart enough (and neither is the viewer) to figure
> out how to reproduce the original aspect ratio of
> the film on the TV screen. There's too much
> variation. You'd have to mess around with your TV
> every time you wanted to watch a movie, depending
> on the movie, to be sure you were seeing the
> picture reproduced exactly in the same ratio as it
> was originally seen in theatres. That's the
> problem with watching movies on TV in general, and
> especially on the new widescreen TV's that are now
> the standard. To me, the strangeness of the
> picture on HDTV's when viewing an older movie
> originally shot on film is just another technical
> complication most of us aren't even aware of. When
> you watch a movie on your widescreen TV, unless
> you're really knowledgable about how film is
> transferred to tape or DVD or not Blu-Ray, you
> never really know how much of the movie you're
> missing, especially if it's an older movie. All I
> know for sure is that the way the picture moves on
> a lot of movies and TV shows in HD looks mighty
> odd to me.
>
> But I like to see movies exactly as they were seen
> in their original release. Cleaning up the picture
> and remastering a bit is fine, but when it starts
> to look downright odd in terms of picture or
> aspect ratio, I get all atwitter. But that's just
> me.
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