Rockwell did those paintings at the height of WWII. He wanted to contribute something to the war effort, and exhibitions of those paintings were used to promote the sale of war bonds.
I think "freedom from want" is not a great but is a rather fine painting, with its sense of compressed space, the variety of facial expressions, the nicely rendered visual textures, the quality of light, the cheeky glance "into the camera" by the fellow in the lower righthand corner, and the overall capturing of the ambiance of a particular time and place that is now largely lost from American society (with the possible exception of Meade Skelton's household).
I'm less enamored of the other ones, with prayer and kids-to-bed seeming overly sentimental (I think the gravitas of the grandparents (?) balances out the sentimental elements of "freedom from want"). I love the gesture, angle and facial expression of the man in the lower right corner of "freedom of speech" -- the character seems vivid, alive, and just right, although the central figure does not quite come off for me.
In sum, not his best work, imo, but of sufficient craftsmanly skill as to raise it, at least, above the level of schlock.
tomahawk Wrote:
-------------------------------------------------------
> It's not the politics that make his art suck, it's the
> fact that he was a propagandist for his regime
> that makes it suck.
I don't have an objection in principle to artists (such as
Goya or "
Dr. Seuss") using their talents to create wartime propaganda, which can certainly vary widely in quality. Nor do I have an objection to
anti-war propaganda, which is subject to a similar range of quality.
Rockwell's quartet of paintings were a heartfelt gesture created on behalf of his country in a time of war. In my understanding they were a spontaneous effort, not something commissioned or requested by the government.
Picasso did a couple of pieces that fall into the propaganda category, most notably
Guernica, which is considered by many one of his greatest works, although it's never been one of my favorites (I have not seen the original, but am told that it makes a very strong impression that simply cannot be conveyed in art-book reproductions). Another of his propaganda pieces, "Massacre in Korea" (below), is among his lesser works, imo; heartfelt, no doubt, but rather ham-fisted in its execution.
YMMV